Once Upon a Hillside

In ‘Once Upon a Hillside’, Angela McAllister skilfully combines seven different, yet linked, stories following the changing landscape of a hillside over the course of six thousand years. It celebrates the healing power of nature, the beauty and joy to be found in the outdoors and how it connects us to the past.

There is so much to love about this story. Angela draws on folklore, her fondness for archaeology and nature’s wonders to create something very special which would be an incredible choice as a key text to inspire and develop children’s own writing.

The stories are linked, not only by the landscape, but also by objects which are significant to characters being found those in the later tales. This idea of history from objects- the stories of past owners- the personal stories uncovered by archaeology- is one which fascinates children and the book could be used to develop work on the local area through significant or relevant periods of history. This island is so full of history that every village (let alone town or city) has a wealth of material to draw on. My own village has an iron age hill fort, had a Roman temple (some say you can still hear the echoes of the footsteps of Roman soldiers haunting it!), was the site of a battle between the Saxons and Danes, suffered at the hands of Royalist soldiers and was flooded in the Somerset tsunami amongst other things- plenty to capture the imagination. Angela’s beautifully constructed and sensitively written book is perfect for inspiring children to write their own stories as well as developing their own ideas about the characters in the book.

Richly illustrated, ‘Once Upon a Hillside’ would make a wonderful gift to share and enjoy again and again. Below, I have included a synopsis of each story, but I would hate to spoil this gorgeous story for anyone- so please stop here to avoid spoilers!

The book opens with the story of Tani as she ‘walks where no foot has ever stepped before…’. Set in the Neolithic era, the hillside is wild and wooded, full of creatures, and Tani is determined to uncover its secrets. Her family have different ideas, feeling she should take her place with the women. Whilst knapping, she finds a flint containing the form of a white bird with outstretched wings which her people believe indicates she is a chosen one and soon, she proves her worth…

Time passes and twins, Corio and Lucillia live on the hillside in their family’s villa. Corio longs to join the Roman army and march across the Empire and is delighted to find an old arrowhead containing the milky white shape of a bird. Lucillia finds a wounded hare which she cares for, praying to a statue of the goddess Diana to take pity on the poor creature.

The Middle Ages arrive and Ailith and her mother, Isolda, arrive on the hillside and make their home in an abandoned cottage. At one with nature, Ailith wishes ‘she could gather a cloak of sunset and wrap it about herself’. She ties a horseshoe to the low branches of an ash tree and she and her mother help those around them with remedies from nature until their well being is threatened by lies of a stranger. When Ailith helps Ellen, who has hurt herself, she is given small Roman statue which Ellen found on the hillside as a token of thanks and the truth about the lies is discovered, leaving the wildmaid free to dance with the wind.

In 1650, young Liddy arrives on the down, trying to make his way in the world. Hired as crow scarer by a farmer, he works hard at this thankless task before stopping to listen ‘to the music of the down’. He is befriended by a shepherd who carves him a wooden sheepdog. After a storm, he finds horseshoe half buried in the heartwood of a tree which leads to him finding family he never knew he had.

The Victorian era arrives and we meet Clara, who is fascinated by grandfather’s collection of finds, and joins him on a dig on the hillside where they are exploring a burial mound from around 6000 years ago. She is given brass magnifying glass by grandfather before a series of strange events lead the workmen to abandon the dig. Determined to solve the mystery, Clara investigates, hiding in a shepherd’s hut where she finds a wooden carving of a dog. Having found a solution to the dig’s problems, Clara’s grandfather gifts her a stone tool from the dig.

Three children, Peggy, Dennis and Stan, arrive on the down in the 1930s, to stay with an old lady who had been friends with their granny. Peggy finds a little brass magnifying glass and in the woods, the children find a den which they make their own. When the boy who made den turns up, conflict develops, but a game of football brings peace.

In today’s landscape, Amari often stays with her Granny Down whilst her parents are working. As Granny grows older, Mum and Dad think that she should leave the down and live with them. But a visit to the Wishing Tree, an ancient hawthorn growing on the hillside, inspires Amari to take photos of all Granny’s favourite places for scrapbook. Involving her dad in her plan helps him to remember how mush he loves the place and how important it is to spend time in nature and with those we love, leading to a change in plans.

A stunning book from an incredible author.

Once Upon a Hillside

Angela McAllister, illustrated by Chiara Fedele

Head of Zeus ISBN: 978-1801107525

You can read my review of ‘A World Full of Nature Stories’ here and my Q and A with Angela here.

Penguin Huddle

Every day, the penguin pack plays on the frozen southern pole, but when the sun goes down, they squeeze together in a penguin huddle, warm and cosy, all night long. However, one morning, after a freezing gale, the penguins wake up to find themselves stuck together. Luckily, Pipsqueak, the smallest of them all, has the biggest ideas…

Perfect for the chilly winter evenings, ‘Penguin Huddle’ is a delightful tale of friendship and helping others, full of Ross Montgomery’s humour and Sarah Warburton’s charming illustrations. There is so much to discuss and enjoy on each spread that this will quickly become a firm favourite with young- and old(er) readers everywhere.

So many creatures step up to help the huddle in need, showing the importance of kindness and lending a helping hand -or paw-or claw-or flipper- whenever you can. Pipsqueak’s positive nature and good ideas lead the penguins to work as a team, eventually solving their problem. The wonderful illustrations lend themselves to children inventing their own stories- the mouse family being aided by the fire-giraffe, for example! There are also plenty of touches of humour to explore in the posters about town and in the Doctopus’s surgery!

The book also lends itself to inspiring creative activities- penguin skittles (made from toilet roll tubes), making lollies, using the features of individual penguins to create new ones- perhaps in a game of Build-a-Penguin! So many possibilities!

That said, this is simply a delightful story, packed with personality and penguin power! One not to be missed!

Penguin Huddle

Ross Montgomery, illustrated by Sarah Warburton

Walker Books ISBN: 978-1406389838

Ghost Orchid

Ava and her parents are off on an adventure to locate the mysterious, rare ghost orchid. Whilst her parents focus completely on the task in hand, Ava wonders at the marvels they see on the way. When they finally reach the location of the ghost orchid, Ava’s parents are despondent as they fear they are too late; however, they are lucky to have Ava, ‘an explorer who notices things that aren’t in the plan’ to open their eyes and change their ways.

This gentle, beautifully illustrated story is an absolute delight. Text and pictures combine to offer the ‘whole’ story in that way which little children love so much. They can see all the things which Ava sees and share her joy in and curiosity about each discovery Ava makes, thriving in the in-the-moment-joy of being a child. Each illustration is rich in detail with so much to notice and discuss.

I was delighted to find that ghost orchids are real. The title page shows a drawing (fig.1) with the plant’s binomial classification, Dendrophylax lindenii, perfect for leading children into discussions about plants, explorers, classification systems… Although aimed at younger children, there is much that could be developed here with older children as well. The opening end papers show a map of the world with notes attached setting up the story with a dotted travel line marked with x’s to show the places visited along the way, making a perfect starting point for further investigation either at school, with home-schooled children or to start an exciting holiday project to interest and excite children about the world whilst away from school. My son and I used to love doing this sort of thing!

One of my all-time favourite picture books is Layn Marlow’s ‘Hurry Up and Slow Down’ which I frequently share with parents when talking about the joys of reading with children. ‘Ghost Orchid’ has the same feeling- take time to listen to little ones and to see things through their eyes- live the moment. When her parents say, ‘We’ll all explore the Ava way’, the family are shown gazing together at the wonders of nature. Ava is back up on her father’s shoulders, central to the family group rather than tagging along behind her tunnel-visioned parents, each face split by a huge grin, caught up in the joy of being together and really looking around them.

With its gorgeous illustrations, this heart-warming book is sure to become a firm favourite, encouraging discussion and expeditions for families as well as inspiring discovery and creation.

Ghost Orchid Fiona Lumbers

Andersen Press ISBN: 978-1839131370

Meet Samuel Langley-Swain

Today, I am thrilled to be joined on the Bookshelf by Samuel Langley-Swain, author and founder of Owlet Press whose books are just delightful. Samuel’s new book, ‘Where Bjorn Belongs’ is a heart-warming, tender story- perfect for this time of year!

1.       You are the founder of ‘Owlet Press’, a very inclusive publisher. Why did you choose the name ‘Owlet’?

I was inspired by the symbolic ‘wise old owl’ which is often used in books and in publishing for that matter. I thought about how our books should give children different types of wisdom, helping them grow into ‘owls’ and so Owlet was born. Amazingly the name wasn’t already taken, so it was obviously meant to be!

2.       What three words would you choose to describe Owlet Press to someone who doesn’t know you?

Small – we’re one of the smallest presses in the market – a one-man business with a tiny team of fantastic freelance experts. I think often people don’t realise that. The performance of each book has a direct impact on my livelihood, which means any support means so much.

Honest – our books deal with some quite impactful themes, and we approach them with an authenticity that feels respectful to the children who might have those lived experiences. I’m also very open about the trials of being a micro-business within the publishing industry.

Brave – we publish books that other publishers may consider too risky, or niche. For us, we obviously need to survive, but the social need for the book often outweighs the commercial security of a concept. We also need courage to keep trading in changing and challenging markets.

3.       ‘Where Bjorn Belongs’ is a beautiful book about friendship and belonging. It starts when a little boy called Arthur loses his favourite toy, a polar bear called Barney. Did you have a toy which offered you comfort when you were young?

I did – I had a small white dog with black ears. It’s one of the only items I still have from my childhood, although it’s up in the attic somewhere and looks a bit sorry for itself after over 35 years!

4.       Your words are beautifully brought to life through Mirna Imamovic’s lovely work. Which of her illustrations in ‘Bjorn’ is your favourite?

Oh, yes! Her artwork is simply stunning and everything I wanted for this story. I absolutely adore the image of Arthur falling asleep in Björn’s arms, in the open door of the fridge, before his friend is whisked away on Christmas eve. 

5.       If you could only choose one book (JUST ONE!) to recommend to others, what would it be- and why?

Well, if it was one of mine, then it would be ‘The Blanket Bears’ which helps children and families understand what it means to be adopted, which would help them grow up to be kinder to those who have been on that journey. If it’s ANY book, it would have to be ‘The Comfort Book’ by Matt Haig – I’ve taken a lot from that personally.

6.       What can you tell me about the next book we can expect from you?

Well . . . it’s very different to Where Bjorn Belongs – it features a lot of dancing animals, a mixture of body types and abilities, and the theme of being treated like an outsider.

7.       And lastly - and most importantly according to my niece - what is your favourite cake?

The hardest question of all! As I’m Welsh, it has to be bara brith (or a simply spiced tea loaf) with a generous wave of butter.

Thank you so much to Samuel for answering my questions. Not sure about your taste in cake, but I’m really looking forward to your next book!

I would highly recommended everyone exploring the Owlet Press website www.owletpress.com to discover more about the amazing books they offer. The thought and care put in to each one is obvious, making them very special.

Where Björn Belongs by Samuel Langley-Swain, illustrated by Mirna Imamovic, is published by Owlet Press. Out now, £7.99 paperback.

You can read my review of ‘Where Bjorn Belongs’ here and my reviews of two other Owlet Press titles, ‘Me, in the Middle’ here and ‘The Whale Watchers’ here.

Where Bjorn Belongs

When Arthur loses Barney, his toy polar bear, he writes to Father Christmas to ask for a new one. Waking to a snowy world on Christmas Day, Arthur is amazed to see a real polar bear in his garden. A special bond between the two quickly forms and Arthur does everything he can to keep Bjorn the polar bear happy and healthy. However as the bear grows, Arthur comes to realise that he must find a way to get Bjorn back to the place he belongs.

Perfect for sharing at home or at school, ‘Where Bjorn Belongs’ is a special story about true friendship and following your dreams. Arthur’s dislike of the noise and bustle of the Christmas season with the changes it brings to routines and ‘normality’ is something which is difficult for many children (and adults!) to cope with and the story enables conversations around this experience, encouraging understanding and empathy.

The story encourages discussion about the impact of global warming on polar bears- melting ice was a BIG problem for polar bears- as well as the importance of being a responsible pet owner. Arthur does everything he can to make sure that Bjorn is comfortable and well looked after- and when it matters most, makes the best decision for the well-being of his new-found friend. Bjorn needs to be where he belongs- not with Arthur, not in a zoo- but back in the wild with his own kind. Having promised to look after him, Arthur does, first by letting him go and then by becoming an Arctic explorer and learning how to help polar bears in their natural environment.

Another strength of this book is the illustrations. There are many which glow with the love between Arthur and his mother as well the deep bond between Arthur and Bjorn. There are picture showing the beauty of the natural world and those sharing the magic of Christmas. Even the end papers celebrate the amazing creatures of the Arctic!

One not to be missed this Christmas!

Where Bjorn Belongs

Samuel Langley-Swain, illustrated by Mirna Imamovic

Owlet Press ISBN: 978-1913339449

Am I Made of Stardust?

Dr Maggie combines passion for her subject with an engaging and accessible style of presentation, making this an excellent book for finding answers to all the questions you might have about space. In this book, she has collected some of her ‘all-time favourite’ questions and answered them, grouping them in to three chapters- the universe, our solar system and humans in space.

The book is perfect for dipping in and out of as browsing turns up some fascinating questions. However, it also makes a useful research tool as a comprehensive index and glossary support locating information and understanding terms. Dr Maggie is pictured throughout the book along with IQ, her robot assistant, whose initials stand for ‘Interesting Question’.

Each page offers a good amount of information, balancing a clear explanation and achievable chunks of texts, making the book appealing to reluctant readers and those who struggle with ‘text heavy’ books as well as anyone interested in this topic. There are clearly labelled activities to look out for which can be tried at home- making a rainbow, using a balloon to show how the stars move as the Universe expands, for example.

Astro facts are also scattered throughout the book. Fun extra snippets of information relating to the topic of the page, these encourage the reader to think as well as learn. The layout is very attractive with lots of photos, diagrams and illustrations, sure to tempt readers in and keep them! This is a real gem of a book- a must for topic boxes and collections to support learning about space as well as the perfect gift for astronauts in the making!

Am I Made of Stardust? Dr Maggie Answers the Big Questions for Young Scientists

Dr Maggie Aderin-Pocock, illustrated by Chelen Ecija

Buster Books ISBN: 978-1780557540

India, Incredible India

India is an incredibly diverse, vibrant country, a unique mix of ancient and modern, and this book does an amazing job of conveying the size, variety and richness of this intriguing sub-continent. ‘India, Incredible India’ takes the reader on a journey whilst telling the story of each of the many special objects the Nanijee of a little girl called Thara has in her special trunk.

As Nanijee shares each object, the reader is taken to a beautifully illustrated double page spread which focuses on one location in India. A stamp on a letter reminds Nanijee of the statues created by Nek Chand at the edge of the city of Chandigarh whilst some dice encourage her to tell Thara all about the Indus Valley civilisation. Other objects lead them to places such as the Punjab, West Bengal and Rajasthan- each spread packed with information and evocative illustrations. So many marvels to wonder at and inspire further investigation- or sow the seeds of a desire to travel and explore.

These sections are interspersed with pages focusing on different topics such as sports, food and religious festivals. This is a book which is perfect both for using in school or for having at home, a must have for every library and book corner, offering plenty to discuss and explore. A detailed index makes it an excellent research tool and there is a ‘Find Out More’ section at the end to aid those wanting to extend their knowledge.

I was lucky enough to hear Jasbinder and Nina talk about their book at Cheltenham Literary Festival this year, inspiring young (and older!) readers to find out more about Incredible India!

India, Incredible India

Jasbinder Bilan, illustrated by Nina Chakrabarti

Walker Books ISBN: 978-1406395426

Take a Bite

Full of fascinating facts and recipes from around the world, ‘Take a Bite’ is all about food, glorious food! The Mizielinskis visit twenty-six different countries, exploring global food and cultural traditions. A map on the endpapers identifies the places which the book visits taking the reader from the first wheat fields to the space age meals astronauts eat. The following index introduces the recipes which can be found throughout the book, offering plenty of treats to try and enjoy!

The book starts with Turkey, the ‘crossroads of culture’, discussing the importance of its location for, including other things, the combining of the customs and cuisines of many nations. Here, readers are encouraged to make ‘imam bayildi’ whose name literally translates to mean ‘the imam fainted’. Further on in the book, a visit to Japan discusses the ingenuity of Japanese chefs who used a few local ingredients to create dishes which are both beautiful and delicious whilst the stop in America shows how their food reflects the great diversity of its people- bagels invented by Polish Jews, donuts based on Dutch olykoeks, popcorn inspired by the native inhabitants of North and South America.

The book includes recipes which appeal to those with a sweet tooth as well as those which are savoury. Melomakarona are honey biscuits served in Greece at Christmas and honey gingerbread is a spiced treat from Poland. Pastries from France will come as no surprise and the book offers recipes for both mille-feuille and croissants.

In addition to all the recipes, there is a wealth of information on every page, making this book perfect for dipping in and out of or for focusing on a particular place or culture. It would be an excellent introduction to a country’s cuisine before a holiday or offer an opportunity to try something from a country or culture being studied. It is a fascinating read, including timelines and a comprehensive index to help readers locate information if required.

Take A Bite: Eat Your Way Around the World

Aleksandra Mizielinska, Daniel Mizielinski and Natalia Branowska

Translated by Agnes Monod-Gayraud

Big Picture Press ISBN: 978-1800782884

Meet Hilary Robinson

Hilary Robinson, with Martin Impey, is well known for her excellent series of books about Ben and Ray and their experiences in the First World War. Winners of the NSTBA 2016 Poetry Category for ‘Flo of the Somme’ and the 2017 Quality Fiction Category for ‘A Song for Will and the Lost Gardeners of Heligan’, their books are highly respected and much used by teachers as well as families. Although Hilary is the author of over 60 books, this Q and A is focused on these titles in recognition of Remembrance Day.

1. Your quartet of books about Ben and Ray are deeply poignant stories which are incredibly popular in schools. Do you have a favourite story amongst them.

I love all the stories for different reasons but, perhaps, if I were to choose a favourite I would opt for Where The Poppies Now Grow because, without this title, the other three wouldn't exist.  It is also dedicated to our great uncles, both of whom died at the Battle of the Somme.  I also find that children identify with Ben and Ray- who represent every soldier who served - and the fact that they remained close friends throughout their lives. It has been wonderful to see how children have engaged with the story and the characters and developed an interest in their own family and local social history as a consequence.  That way the lives of those that served and those that perished live on so that we never forget how easy it is to slip into war.  Words and friendship will always be the most powerful weapons in the pursuit of peace and that is Ray and Ben's legacy.

2.The stories are told using the cumulative verse style. Why did you choose this way of telling them?

This device helps young children engage with the story content and the use of rhyme helps them to expand their vocabulary, because the rhythm, rhyme and repetition serves to reinforce. I changed this structure for Peace Lily because this was the time that reflected the start of something new so by altering the pace and pattern readers grasped the notion that a new world was looming.

3. ‘A Song for Will and the Lost Gardeners of Heligan’ continues to be one of my all-time favourite books and I have used it with many classes since its publication. How did you and Martin decide on using the fictional character of Alfie as the main character of the book?

Thank you and we love it Sue that you took the time to travel down to Cornwall to meet us!  Fred Paynter and William Guy were real people - gardeners who went to war.  I wanted to reflect their lives as closely as I was able drawing on recorded detail of the time.  Alfie though is fiction.  There will have been a young errand boy at Heligan and it was fun trying to imagine how he was feeling as life at Heligan began to change.  Alfie's role is also to describe events at home and to provide a colourful counter-canvas to the bleakness,  terror and atrocities on the battlefields.

4. I know that you and Martin Impey, who illustrates these books, have a very close relationship. Do you have any plans for future projects together? (Please say yes!)

Martin and I are working on solo projects but there is another collaboration on the horizon!  This will be fiction based on fact, again, and is partly autobiograpical in that the main character was a huge influence on me, my sisters and cousins when we were children. It's top secret for now but I will tell you that his name was Ted and it has been great to record his contribution to life in a deeply personal story.  Martin has also met Ted and was inspired by him too.  Sadly he died two years ago.  It is set during the second world war which is before I was born - so that part is fiction, but Ted as a character, his talents and gifts play out through the narrative and it has been lovely to honour his legacy in this way.

5. Is there a historical figure or event you would love to write about for children- one perhaps you feel has been neglected?

I would love to write about the Humbug Billy and the Bradford Sweet Poisoning disaster - not only is it a fascianting story but it shows why history is important.  It shows how easily mistakes and assumptions can be made and, in this case, the investigation led to a change in the law. 

https://www.historic-uk.com/HistoryUK/HistoryofBritain/Dying-for-Humbug-the-Bradford-Sweets-Poisoning-1858/

6. What can we expect from you next?

I have just written two board books, illustrated by Mandy Stanley, which were influenced by all the creative ways people were recycling everyday objects during Covid.  Tatty Mouse is the ultimate mend-it-make-it-mouse and with her cool toolbelt and necklace crafted out of milk bottle tops, she is one huge role mouse-model!  I have just written her Christmas story and we are collaborating on a book that incorporates sign language as an activity.

7. And lastly- and most importantly according to my niece- what is your favourite cake?

Great question!  My absolute favourite cake is coffee and walnut.  We have our own walnut tree which produces thousands of nuts each year but I haven't grown any coffee beans yet! I love the soft meaty flesh of the walnut with the delicate coffee aroma and taste.  My aunt used to always make me a coffee and walnut cake when I visited her in Cambridge so I think of her always when I have a piece now.  Like Ben and Ray - legacies live on!

Thank you so much, Hilary for joining me today. I am really looking forward to seeing what you and Martin are up to next - and I think you should definitely write about Humbug Billy! Stories from history are so fascinating.

You can read my review of the ‘Ben and Ray’ books here and ‘A Song for Will’ here.

A Song for Will and the Lost Gardeners of Heligan

‘A Song for Will and the Lost Gardeners of Heligan’ is one of my favourite books. Based on the lives of real people and real events, it tells the story of William Guy and the other gardeners who worked for the Tremayne family when World War One broke out. Written by Hilary Robinson and beautifully illustrated by Martin Impey, the story is told through a series of letters written between the gardeners of Heligan House during the First World War. 

When war was declared in 1914, it wasn’t long before men across the country courageously volunteered or were called up to serve the war effort. The gardeners of Heligan, near Mevagissey in Cornwall, were no exception and to mark the occasion, they wrote their names upon the wall of the outdoor staff toilet (which they called the ‘Thunderbox’), as a reminder to all of their brave commitment to leave the gardens to serve king and country. Thirteen outdoor staff left Heligan to fight across the sea but only four returned. William Guy was one of the nine who never came home and this book is dedicated to his memory.

'A Song for Will' tells the story of both the changing seasons at Heligan and the effects on the gardens from the war waging abroad. The loss of livestock, changing diets due to lack of food and the developing 'make do and mend' attitudes all feature. The loss of skilled workers meant that the gardens themselves would eventually become neglected and overgrown and would not be restored to their former glory for many years. 'A Song for Will' also highlights the feelings of those bravely fighting on the battlefields, the tragic mental toll of war and sadly, the loss felt by all when loved ones did not return home. In 2013, the Imperial War Museum recorded the Thunderbox Room as a ‘living memorial’ to the gardeners of Heligan and the monument pictured below can be found nearby.

This is a poignant story, gently told, and is perfect to use in school to illustrate and investigate the effects of the First World War. I have used it very successfully on a number of occasions with excellent results in terms of engagement, understanding, empathy and written outcomes. The book could be introduced through the artefacts, plants and gardening equipment featured in the book, using role play and drama to develop scenes. The letter story telling format might inspire similar attempts to write in character. Hilary and Martin’s book contains letters between only two individuals and there were many more that left Heligan to serve both on land and at sea whose stories could also be told. Readers could keep either a diary of events and feelings whilst reading the story or imagine what characters might write in their own diaries. Children might enjoy reading the text aloud to each other or summarising sections to share. 

The gardeners that served during the Great war are listed at the back of the book and a search through war records, such as those held by Ancestry, yields information about some of the individuals involved. Children I have taught have enjoyed looking at the census returns as well as army documents, developing the idea of the characters in the book as real people and engaging children with primary sources of evidence.

Finally, the book acts as the perfect guidebook to the gardens and a visit to Heligan would be an enriching and memorable experience for a class of children. I had a wonderful time when I visited for the launch of the book (picture above) and wondered at Martin’s skill as I matched scenes from the book to locations at Heligan.

Hilary and Martin have become a wonderful story writing team, detailing various aspects of the First World War through several books they have authored together. They can always be relied upon to tell the most difficult of stories with the dignity they deserve whilst maintaining an appropriate amount of detail, so as not to distress a younger audience. ‘A Song for Will’ is an incredibly special book.

A Song for Will and the Lost Gardeners of Heligan

Hilary Robinson, illustrated by Martin Impey

Strauss House Productions ISBN:  978-0957124530

Pause for Poetry: Dulce et Decorum Est

In October 1917, whilst recovering from shell-shock, Wilfred Owen sent a letter to his mother which included a ‘gas poem’. This he revised and edited between January and July 1918 until it became the poem we now know as ‘Dulce et Decorum Est’.

Incredibly powerful, deeply moving, Owen’s work describes the harsh realities faced by those fighting in the trenches. My grandfather was amongst them.

We were very fortunate and my grandfather returned home; many did not.

Martin Impey and Hilary Robinson have combined their talents to create four amazing, beautiful books about Ben and Ray, friends who went to war together. These are the perfect way to introduce children to the life of soldiers in the trenches, the Christmas truce, the role of animals in war and the vital contribution of women who nursed soldiers on the battle lines (review here). Their fifth collaboration- ‘A Song for Will and the Lost Gardeners of Heligan’ - is an incredible piece of work, celebrating the lives of those who worked at Heligan in Cornwall (review tomorrow)

Illustrating ‘Dulce et Decorum Est’, Martin Impey has used his incredible artistic talents to interpret Owen’s words. This is not for a younger audience, but a heart-felt, gritty interpretation of the horrors experienced by soldiers.

The book starts with a foreword contextualising the poem before showing the revisions Owen made to ‘Dulce et Decorum Est’ as he edited and developed his work to its finished form. Martin has included some of these alterations as haunting shadows behind the finalised text, adding to the poem’s poignancy.

Listening to Martin speak is always a real joy as his enthusiasm for whatever he is working on and his passion for art is just incredible. I was fortunate enough to hear him speak at The Wilfred Owen Association’s Annual Birthday Lecture last year and the amount of time, effort and attention to detail he dedicates to his research is incredible. You can read more about this here.

Each page of the book is a work of art. Martin’s talent and passion match that with which Wilfred Owen wrote each line and make a worthy tribute to those who fought and a stunning memorial for them, emphasising the horrors of conflict and refuting ‘the Old Lie’.

A powerful, significant work, perfect for using at KS3.

Dulce et Decorum Est by Wilfred Owen, illustrated by Martin Impey

Strauss House Publishing ISBN: 978-1527218253

The ‘Ben and Ray’ Books

Without a doubt, this series of books is essential for any teacher- or family- wanting to explore events from the First World War with children in an accessible and supportive way. Since the publication of ‘Where The Poppies Now Grow’ in 2014, the four books chronicling events in the lives of friends, Ben and Ray, have been shared with thousands of children.

Stunning illustrations and lyrical text combine to create four linked stories, each of which focuses on a different aspect of the war. The second book sees Ben and Ray playing football during the Christmas Truce, the third pays tribute to the contribution played by animals during conflict and the final book introduces Lily, childhood companion of Ben and Ray, and not only highlights the contribution of women to the war effort, but also brings the series to a satisfying and moving conclusion.

The stories offer so much to discuss and explore with the illustrations adding many additional details. Children may notice the names on the wall by Ben’s bed in ‘Where the Poppies Now Grow’ and wonder who these people were or make the connection with some of the names and the dedications made by Hilary and Martin at the front of the book. This is one of the many examples of the attention to detail and the care with which these extraordinary books have been created.

These books are obviously a labour of love, born out of personal connection to these events through family history. ‘Flo of the Somme’ won the Poetry Category of the North Somerset Teachers’ Book Awards in 2016 and these books have rightly been nominated for and won many other awards. They are accessible to a wide ranging audience from little ones enjoying the rhyming text and hunting for Ben’s pet mouse in the pictures to older readers who will make connections- perhaps with family experiences.

Poignant and powerful, this is a very special set of books. Tomorrow, I will be reviewing Martin’s edition of ‘Dulce et Decorum Est’ and 'on Thursday, ‘A Song for Will and the Lost Gardeners of Heligan’.

I will be joined by author, Hilary Robinson, for my Q and A session this Friday where I ask some questions about these books and ‘A Song for Will’.

Where the Poppies Now Grow

Strauss House ISBN: 978-0957124585

The Christmas Truce Strauss House ISBN: 978-0957124578

Flo of the Somme Strauss House ISBN: 978-0957124561

Peace Lily Strauss House    ISBN: 978-0957124554

Hilary Robinson, illustrated by Martin Impey

Blog Tour: National Non-Fiction November

National Non-Fiction November is the FCBG’s annual celebration of the factual side of life. It started life as National Non-Fiction Day, the brain child of Adam Lancaster, a former Chair of the Federation and has been growing in popularity year on year. This year’s theme is Communication, a wonderfully inclusive theme and I am delighted to be taking part by reviewing two very special books from Greystone Kids. ‘Luminous’ is a picture book introduction to bioluminescence and ‘I Hear You, Ocean’ is a picture book that celebrates the sounds of the ocean.

‘Luminous’ is a remarkable book which clearly explains bioluminescence, light produced by a chemical reaction within a living organism, through lyrical text, sections of information and evocative artwork. Used to hunt, defend against predators, find mates, this fascinating phenomenon is used to communicate warnings and attraction as well as luring other creatures to their end!

Combining the poetic text with factual information means that ‘Luminous’ is a book which can be shared with children of differing ages and interests. Starting with a simple black spread, the art work shows a young child and adult using a torch to help them see in the dark (accompanied by an explanation of light and light sources) and discovering different bioluminescent creatures. Sure to spark interest and lead to further research and investigation, this book shows the joys of pausing to look- ‘really look’- and discover the wonders of nature when it’s dark outside.

Luminous Julia Kuo

Greystone Kids ISBN: 978-1771648882

‘I Hear You, Ocean’ is the second book in the ‘Sounds of Nature Series’ for young children. When a family visit the ocean, the older child whispers to the younger, ‘The ocean has lots to say…if you listen.’ Together, they listen and hear the wonderful sounds of nature as they play on the beach until it is time to go home.

The book is a joyful celebration of imaginative play, the natural world and sharing time with siblings. Although not strictly speaking non-fiction, there is much in this story which could act as a stimulus for further investigation as well as its developing awareness of the senses. The engaging illustrations complement the onomatopoeic nature of the text perfectly and encourage an interactive element to sharing the story.

I Hear You, Ocean Kallie George, illustrated by Carmen Mok

Greystone Kids ISBN: 978-1771647397

Two very special books to celebrate as part of National Non-Fiction November 2022! A post from Julia Kuo, the author/ illustrator of Luminous, about the process involved in writing and illustrating the book was featured yesterday on the FCBG website and a giveaway on Twitter of both this title and ‘I Hear You, Ocean’ will be taking place today so make sure you investigate both of these things as well as following on with all the wonderful posts, reviews and give-aways that have been organised.

Many thanks to the amazing Chris Routh, who not only invited me to take part in this Blog Tour, but is responsible for tirelessly organising and promoting NNFN22.

Blog Tour: The Faber Book of Bedtime Stories

A comforting story tonight for a happy day tomorrow.

I am thrilled to be kicking off the Blog Tour for this lovely book. I believe bedtime stories are an essential part of a child’s day- a special time to share with the adult(s) in their lives whether with siblings or individually, which allows a day to end with a feeling of contentment, reassurance and joy. No matter how busy, no matter how we were feeling, either my husband or I would end the day with our son this way. Not everyone feels like this, I know, but this beautifully illustrated book of stories might help some families towards a bedtime routine.

The book offers a stunning collection of brand-new stories by some amazing children’s authors all illustrated by the wonderful Sarah McIntyre. Full of wisdom and comfort, these are joyful tales offering the perfect way to end the day.

Sarah’s appealing cover illustration instantly grabbed the attention of some little friends of mine who begged to borrow it. Not only does it ‘smell wonderful’, they loved the little illustrations by the page numbers, the bold pictures (‘That’s a sea monkey!’) full of humour and the starry end papers. Favourite stories include ‘Queen Bea’ by Kieran Larwood, ‘Mooncamp’ by Kate Saunders and ‘Abi and the Goldfinch’ by Natasha Farrant, but it was Sarah’s endearing illustrations which kept taking them back to the book. Some of the illustrations encouraged storytelling in their own right as the children had conversational stories about what was happening and what might happen next based on these. Some also seemed to help develop the ability to empathise with characters and discuss how they were feeling.

As a huge fan of her work, I am delighted to welcome Sarah McIntyre to the Bookshelf as part of this Blog Tour…

Tell us about illustrating The Faber Book of Bedtime Stories, what was your favourite part of the process?
I love the painting stage! I always find the pencil roughs quite challenging, coming up with the initial ideas and making everything work with the page layouts. Sometimes it's fun but often it can be tense and frustrating and I end up having to make myself lots of cups of tea so I can get away from the desk and rest my brain, or take some time to process. But once designer Emma Eldrige had my pencil sketches and we worked together on how they'd fit on the pages, then the fun part began: laying ink and watercolour on the paper, seeing how the paint creates happy irregularities and gradients, and watching as the colours build up in front of me. I don't need endless tea for that, I can really lose myself in that process and not surface for hours and hours. It's almost like being in another dimension, time passes differently and my whole mind is caught up in that cosy space of focus. I'm so right there, that I even catch myself making the same facial expression as the characters I'm painting, or making little sound effects from the scene.

What was your favourite bedtime story as a child?
They were the stories my dad made up! He grew up on Islay in the Hebrides, and used to sing a lot of Scottish and Irish ballads to me; many of them had stories built into them, such as MacPherson's Lament and The Bonnie Lass of Fyvie. But my absolute favourites were when we'd go camping, and a bunch of other kids and I would cluster around him by the campfire and beg him to make up a story for us. I don't think he ever planned them out in advance, he'd just start talking and see where the story would go. I can't remember what the stories were about, except for one called The Yellow Chair, about people who sat in a yellow chair and couldn't get out of it again. But I'll never forget the wonder of a story being created right then and there just for us. Funnily enough, I have three yellow chairs in my house now, and it still makes me smile to think of their link to Dad's story. One of them is my studio chair, which I sat on the whole time I was illustrating this book!

Many thanks to Sarah for answering these questions and to the lovely people at Faber for inviting me to be part of the Blog Tour. With Christmas fast approaching, this would be a very special gift to offer any young people in your life!

The Faber Book of Bedtime Stories

A comforting story tonight for a happy day tomorrow

Claire Barker, Ayesha Braganza, Kieran Larwood, Lucy Farfort,

Natasha Farrant, Ingrid Persaud, Emma Carroll, Ann Jungman,

Reba Khatun, Lou Kuenzler, Michael Mann, Kate Saunders,

Martyn Ford, Aisha Bushby, Pip Jones, Hannah Lee, Rashmi Sirdeshpande

illustrated by Sarah McIntyre

Faber ISBN: 978-0571363933

Blog Tour: Stand and Deliver

Highwaymen are often glamorised in literature and film as dashing figures on horseback, upholding the values of Robin Hood, stealing from the rich if not giving to the poor! However, many were bloodthirsty and violent rather than gentlemanly and gallant. Philip Caveney’s character, Tom Gregory, was inspired by the exploits of Gentleman Jack Sheppard, a notorious robber in the 18th century whose ‘spectacular escapes from various prisons, including two from Newgate, made him the most glamorous rogue in London’.

‘Stand and Deliver’ is an exciting romp of an adventure, full of colourful characters and daring deeds, and I am delighted to be able to share part of Chapter Two for my stop on the Blog Tour. You’ll be desperate to know what happens next…

CHAPTER TWO

In which we meet the orphan, Ned Watling, assistant to Tom Gregory, and learn how they first met.

A short distance from the cave, Ned was collecting firewood. He was fifteen years old and currently employed by Tom Gregory. Actually, when he thought about it, employed wasn’t really the right word. As far as Ned was aware, employed people received a wage for their efforts. All Ned got in return for his toil was a place to lay his head for the night, and his meals, which he was obliged to prepare himself. Oh, he had also received some promises.

Tom had repeatedly assured him that somewhere down the line, Ned would receive a handsome payout for his services – but the highwayman was very vague about when that time would actually come. And Ned had been working for him for nearly two years now. Before the cave, there’d been other hideouts: mouldering rooms in various towns across the country, abandoned warehouses and, for a few months, even the ruins of an old monastery near Chelmsford. Tom would ply his trade for several months, until too many people came looking for him, and then he would be obliged to move on. The cave had been their lair since early spring and, as the weather had steadily warmed, so Tom’s robberies had become more frequent, more daring. When Ned had first met Tom and been invited to enlist with him, he hadn’t fully understood what he was signing up for, but since he had come to work for the highwayman, he had learnt one thing above all else. Tom Gregory was unpredictable.

Oh, when he was in good humour, he could be jovial company, no doubt about it. He was always ready with a quip or a hearty song. But Ned had found to his cost that Tom also had a darker side. And one thing the highwayman hated more than anything else was to be kept waiting.

“Ned?” His voice echoed through the forest with an urgent tone. “Where the blue blazes are you?”

Ned began to run, plunging frantically through the undergrowth in the general direction of the cave. The last thing he wanted was to put his master into one of his moods.

“Here, Master Gregory!” he yelled. He burst into the clearing in front of the cave, dropped the big bundle ofbranches he’d been carrying and ran to catch hold of Black Bill’s bridle. Tom glared down at him for a moment.

“Where were you?” he asked.

“Just gathering firewood,” Ned assured him. “You remember, I told you it was running low?”

“Yes, fair point . . . but I expect you to be here when I return.” Tom swung himself down from the saddle and strode towards the cave, his sack of booty slung over one shoulder. “Fetch me a tankard of ale, lad, my throat’s parched!”

“Right away, Master Gregory!” Ned started towards the dense screen of bushes where the barrel of ale was stored, then hesitated as Tom shouted something else.

“And get that horse unsaddled and fed, while you’re at it.”

“Er . . . yes. Of course.” Ned hesitated, unsure of which task to do first. Black Bill eyed him warily and snorted, as if warning that he didn’t like to be kept waiting, either. Ned turned back to the horse and started to unbuckle his saddle.

“Ned?” Now Tom’s voice echoed from within the cave. “Where’s that ale?”

“Oh, er . . . coming Master Gregory.” Ned abandoned the saddle and turned to run towards the bushes. Halfway there, he stepped on a length of broken branch, which swung upwards and smacked him in the face. He stood for a moment, dazed, holding his stinging nose, tears filling his eyes.

“NED!” The anger in Tom’s voice jolted him back to his senses. He ran to the bushes, pulled them aside, grabbed a tankard and thrust it beneath the tap of the ale barrel. Dark liquid slopped into it, and he kept filling it until the froth foamed at the brim.

He glanced nervously over his shoulder. Tom was sitting on a chair in the gloomy interior, inspecting the booty that he’d just stolen. He lifted his head and gave Ned the glare, the one that he always gave shortly before he really losthis temper.

“For pity’s sake, boy, are you bringing that drink or what? I’m about to die of thirst here!”

Ned turned, started back towards the cave and tripped on a tree root, upending the tankard and spilling its contents down the front of his shirt. He hit the ground, the impact knocking all the breath out of him, and lay there for a moment, thinking that surely to heaven there must be a better way to spend his life than this.

In that moment, he recalled how he had first met the man that people called The Shadow.

Many thanks to the lovely people at UClan for inviting me to take part in this Blog Tour. Make sure you look at the other posts to find out more about this colourful historical adventure!

Stand and Deliver Philip Caveney

UClan Publishing ISBN: 978-1915235411

The Search for the Giant Arctic Jellyfish

What Magic Lies Beneath?

Dr Morley is fascinated by jellyfish and longs to find the elusive giant Arctic jellyfish. With a dedicated crew supporting her, she embarks on the adventure of a lifetime into the Arctic Circle. However, for all the wonders and beauty surrounding them, there is no sign of sign of the jellyfish she is seeking… or is there?

This is so much to love about this beautiful book. Dr Morley is a determined, resourceful scientist who pursues her research with resilience and courage. On their voyage to the Arctic, she and her crew witness so many natural wonders, but the elusive Giant Arctic Jellyfish cannot be found. The reader, of course, is gleefully in the know- almost tempted to shout ‘it’s behind you’ -as the crew gaze in the wrong direction, dive on the wrong side of an algae cloud and admire other creatures. Superbly illustrated, there is so much to notice, discuss and enjoy in the pictures that this book is sure to become a firm favourite, visited again and again.

The story ends with the perfect hint of hope that all that work, patience and devotion will be rewarded just as the crew were on the verge of admitting defeat. This is one of those books which is a complete gift to teachers for inspiring discussions, role play, research, developing vocabulary and resulting in stunning writing. There are so many spreads which should be lingered over… I really cannot choose my favourite, although the cut through of the ship above is high on the list. True picture book treasure!

The Search for the Giant Arctic Jellyfish Chloe Savage

Walker ISBN: 978-1406391886

Meet Fleur Hitchcock

This week has seen the publication and launch of ‘Murder at Snowfall’, the latest book by the very wonderful Fleur Hitchcock. It is a gripping, thrilling tale which is sure to be every bit as popular as her other stories. I was delighted to have the chance to ask Fleur some questions about her work…

1.       Being a very versatile author, you have shown you can write for children of all ages and in a wide range of styles. Which age range do you prefer to write for and which genre do you think you do best?!

Very kind words!

I love to write thrillers, stories that take the reader to the edge of their seat where they HAVE to turn the page because they care so much about the character and the risks are so high – but whether that’s in an historical thriller or a contemporary crime caper I don’t really have a preference. My historical books are set in a different time space, but to me the characters are the same as the characters in one of my contemporary stories. Mouse is not so far from Maya in Murder in Midwinter, just different clothing and different surroundings. The past is fun because there are no mobile phones, the present is fun because there are.

 But I do like pushing the stories as close to adult crime thrillers as I dare, and then, inevitably pulling back, the younger the child, the harder it is to do that – not that I don’t enjoy writing straightforward fun adventures, after all, they were so much what I longed for as a child. Having said that, I wish I had the skill to write a picture book.  I haven’t answered your question at all, have I?

2.       If one of your ‘Murder’ books- Murder in Midwinter, Murder at Twilight, Waiting for Murder and Murder at Snowfall- was to be made into a film, which would you choose and why?

Ooh – without spoilers, Murder at Snowfall has the whole safari park section – Murder in Midwinter has the snowy Welsh mountains and Waiting for Murder has the aeroplane bit. Maybe Murder at Snowfall? But that’s because I’ve imagined it most recently. Can I put Mouse Heart forward please? (Absolutely!)

3.       Brilliantly written, ‘Murder at Snowfall’ really racks up the tension and peril! It sits perfectly in the space for those children who are strong readers in Y6/7, but not yet ready for the content of some older books.  Do you have plans for more stories like these- and would you be tempted to revisit any of these characters, leading them to solve the crime once more?

Thank you! Yes, I think my books are a preamble to Good Girl’s Guide to Murder etc – mine are “one foot on the floor (see Hollywood)” but just as risky. They’re certainly the books I wanted to read aged 10/11, but could only find Dick Francis (Eek) at the time. I love writing for this age, it’s so strong in my memory, and I really hope I get to write more. I’ve definitely got another Ruby and Lucas idea in my head, but time of year is important in my stories and I’m not sure what season would be best – perhaps they should have another snowy adventure? 

4.       I love your ‘Clifftoppers’ series. They have the feeling of the Famous Five, but the writing and content is so much better! Were you an Enid Blyton reader as a child- and did you prefer the Famous Five, the Secret Seven or the Five Find-Outers?

I have to confess that I never read the Famous Five – or any of Enid Blyton’s books. Our school librarian, and the mobile library driver steered me towards Malcolm Saville – they were similar, probably just as badly written, and addictive. I must confess, I haven’t read one for many years! When the Clifftoppers series was mooted, I wondered if I should read Enid Blyton but decided that I would end up with a pastiche if I wasn’t careful. I had a notion of what was needed, and I looked back at my own unconfined childhood, hanging out with a group of similar aged children in rural Hampshire and used that. My own children roamed free here in Wiltshire, so I was able to make it relevant and updated without much research. Oh, and I gave the older Clifftopper children mobile phones. Well you would, wouldn’t you?

5.       ‘Mouseheart’ is set during the reign of Queen Anne II in an alternative Bristol. Are you planning any more adventure for Mouse- or any which use this setting again?

No more adventures for Mouse at the moment – I think it would take a couple of years for something to float to the surface - I started to write the original in 2019 - but she’s so close to my heart I wouldn’t rule it out. Also, there’s a lot of fun to be had with Queen Anne II, she refuses to toe the line which makes her a joy to write. I do love characters who rebel.

6.       What can you tell me about the next book we can expect from you?

It might be a sequel to Murder and Snowfall and I probably shouldn’t say too much I am hoping to write something about the Anglo Saxons. I’m certainly doing a shed load of research and I have a story bubbling… Did you know Alfred the Great had an even greater daughter?

7.       And lastly- and most importantly according to my niece- what is your favourite cake?

That’s a very tricky question. It so depends on my mood, but a lovely light Victoria sponge with added strawberries and cream is hard to beat. Or a good coffee and walnut or sometimes it just has to be a brownie – dark chocolate…

Many thanks to Fleur for joining me today! I, for one, am very excited to hear about your potential future projects and look forward to reading whatever comes next.

You can read my review of Mouse Heart here and Murder at Snowfall here - both brilliant books!

Murder at Snowfall

On Tuesday evening, I had the great pleasure of joining the loveliest group of people to celebrate the launch of ‘Murder at Snowfall’, Fleur Hitchcock’s thrilling new murder mystery story. Damp and drizzly though the evening was, Bath looked as atmospheric and beautiful as ever- very appropriate as it is the backdrop to the novel with familiar places such as Mr Bs and Waterstones featuring in the story.

There was a lovely atmosphere at Waterstones as everyone gathered. There was even a surprise acting element to Fleur’s reading and plenty of snow flake shaped snacks and mulled wine. Time flew by and a wonderful time was had by all to celebrate a wonderful book! Here’s my review!

Ruby’s mum is preoccupied. There has been a fire at the surgery where she works, her boss, Dr Price, has gone missing and she is convinced someone has been following her. As the snow falls and odd things keep happening, everyone is jumpy. So when Ruby’s ‘Step’, Lucas, dares her to open an abandoned cabinet they walk past on their way home from school, she soon wishes she hadn’t as a gruesome discovery sets off a chilling chain of events and a mystery which they must solve.

Fleur Hitchcock is an incredible writer. No matter what she tackles, the result is an absorbing, exciting story. With her ‘Murder’ stories, she achieves the perfect balance of thrills and chills for anyone looking for a compelling mystery with enough bodies, clues and red herrings to please Poirot yet keeping the story appropriate to the target audience. ‘Murder at Snowfall’ is her most sinister yet- and makes an excellent read!

Full of action, the story has plenty of tension, offering frissons of fear as the children tackle the mystery surrounding the events at Ruby’s mother’s work. There are twists and turns aplenty with some real surprises and miscues to take the reader down the wrong path, but everything comes together brilliantly in the end. Snow gives Bath an eerie feeling as the weather adds much to the atmosphere of the story, but readers who know the city will still recognise it in the story.

As well as the murder mystery, the story shows the development in the relationship between Ruby and her ‘Step’. When her mother married Paolo, Ruby hadn’t really understood that this would mean the addition of a strange, extremely intelligent boy who she views with suspicion and who seems to barely acknowledge her existence. However, as the novel develops, she comes to appreciate him, showing the importance of getting to know someone, being there for them and becoming family.

Brilliant!

Murder at Snowfall Fleur Hitchcock

Nosy Crow ISBN: 978-1839945908

You can read my review of ‘Mouse Heart’ here.

Pause for Poetry: Poems from the First World War/Poems from the Second World War

With Remembrance Day approaching, it seemed like the perfect time to look again at these two poignant collections of War poetry- ‘Poems from the First World War’ and ‘Poems from the Second World War’. Each collection has been compiled by Gaby Morgan and the books published in partnership with the Imperial War Museum.

Poems from the First World War is a deeply poignant and powerful collection of poems written by soldiers, nurses, mothers, sweethearts and family and friends who experienced WWI. From initial excitement and patriotism to disillusionment and regret, these poems also speak of love, courage, loyalty and confusion as the war dragged on to its conclusion.

There are poems here from familiar names. Wilfred Owen’s hauntingly beautiful words bring to life the stark realities of this brutal and devastating conflict. Kipling’s raw pain at the loss of his son echoes that of many. John McCrae’s powerful words will ensure those lying ‘In Flanders Fields’ are never forgotten. Sitting alongside these are works by Rose Macaulay, who worked as an ambulance driver for the London Auxiliary Service during the Great War, giving voice to the experiences of those fighting the war on the home front. ‘To Tony’ (aged 3) by Marjorie Wilson, sister of war poet, T P Cameron Wilson whose work is also featured in this collection, is dedicated to her brother’s memory. There are so many works in this incredible book worthy of comment and discussion, making it an essential collection for anyone looking for poems from this time.

Its companion volume, ‘Poems from The Second World War’, is just as special. This collection starts in 1939 and shows how war affected daily life as well as the lives of those in the forces. May Hill’s poem, “The Casualties Were Small” speaks clearly of the aching personal losses covered by the impersonal words reporting them. ‘Leave’ by John Buxton and ‘Leave Poem’ by Annie Bulley capture the pain of separation. ‘I Keep Forgetting’ by Lily Brett reminds the reader of things that must not be forgotten. As with the previous collection, each poem contained here has been chosen with the greatest care to reflect the voices and experiences of those whose lives were inescapably altered by living at this time- and whose voices should always be heard.

Two fabulous collections which encourage empathy and understanding of wartime experience through the words of those who were there.

Poems of the First World War selected by Gaby Morgan

Macmillan in partnership with the Imperial War Museum

ISBN: 978-1447248644

Poems of the Second World War selected by Gaby Morgan

Macmillan in partnership with the Imperial War Museum

ISBN: 978-1447284994

Patience Agbabi at The Story Museum

On Wednesday, I went to the Story Museum in Oxford to listen to author, Patience Agbabi talking about her ‘Leap Cycle’ series. Oxford was looking particularly lovely in the Autumn sunshine and I had plenty of time to explore my favourite bookshops before the event. In Blackwells, I was surprised to find the children’s section has been moved. Now on the first floor, it is a wonderful space, devoting so much more room to children’s books!

Once at the museum, there was time for a quick hot chocolate and a delicious slice of Biscoff brownie in the Story Cafe before heading to The Woodshed, ready for the event.

An eager crowd were waiting for Patience and the hour passed really quickly. Patience introduced her books and told everyone about things from her life which had helped her to develop her stories. Her love of athletics, her son’s love of ‘super cars’, her heroine, Elle’s Nigerian roots…amongst other things have all found their way in to her books.

Having introduced her characters, Patience focused on the second book in the series, ‘The Time-Thief’, where Elle and her friends leap to 1752 to prove her friend innocent of the theft of the Infinity Glass. She explored how she had developed her characters, explaining the significance of certain events and characters, including Dr Johnson and Frances Barber.

It was a fascinating session with plenty of inspired and interested questions from the enthusiastic audience. The ‘Leap Cycle’ is an excellent series with the third book, ‘The Circle Breakers’, due out next year.

The Infinite Patience Agbabi

Cannongate ISBN: 978-1786899651

The Time-Thief Patience Agbabi

Cannongate ISBN: 978-1786899903

You can read my review of ‘The Infinites’ here.